In a dystopian future, death row inmates are used like lab rats by a private company who use memory implants to revolutionise the correctional system. Two prisoners who become subject to the experiment must escape or risk losing their minds forever.

改编自Nigel Kneale以Quatermass为主角的系列科幻小说。 　　Quatermass指挥的火箭运行发生意外，着陆后三名宇航员只剩一名，并且神志不清，身体发生着奇怪的变异。Quatermass必须尽快查明原因，拯救人类的命运。

A beautiful and disturbing film recounts America’s story from the environment’s point of view. From the arrival of Columbus to the simple wilderness living of the 16th and 17th centuries, through the agrarian lifestyle of the 18th century, the changes from the Industrial Revolution, to the 20th century when most of the planet’s resources have been depleted — this film examines the North American landscape and all the wildlife destruction, deforestation, soil depletion and pollution that have been wrought to make the American Dream come true.

Four non-actors, with no script, lock themselves in a haunted Louisiana plantation home overnight to film what takes places. The Lalaurie plantation, site of grisly murders, comes alive before their camera lens and they experience a night more terrifying and incredible than they imagined.

A police detective is trying to locate his missing daughter, while solving other cases.

The twelve-year love story of two individuals with completely opposite personalities who unexpectedly met on a group blind date.

Love and marriage bloom in a game of truth with a woman who lives a fake life and a woman who tries to reveal it.

The Vatican sends a priest to verify some miracles, performed by a woman who has been nominated for sainthood...

Every machine needs fuel.... Every machine needs repair... Every machine breaks down.

The Third Memory, 2000. Two-channel video projection, with sound, 9 min., 32 sec.; single-channel video with sound, 22 min., 30 sec.; and thirteen inkjet prints, edition 2/4, dimensions variable. 　　Using time, memory, and the texture of everyday experience as his mediums, Pierre Huyghe conflates the traditional dichotomy between art and life. Working in an array of cultural formats—from billboards and television broadcasts to community celebrations and museum exhibitions—he reformulates their codes and deploys them as catalysts for creating new experiential possibilities. A mode of perception that lies in the interstices between reality and its representation is the subject of his two-channel video, The Third Memory (2000), which reenacts the 1972 hold-up of a Brooklyn bank immortalized in Sidney Lumet’s acclaimed film Dog Day Afternoon (1975). Almost 30 years later, Huyghe provides a platform for the heist’s charismatic mastermind, John Wojtowicz, to relate his version of that infamous day in a reconstructed set of the bank. However, rather than clarify the personal history that Hollywood wrested from him, Wojtowicz appears to have been heavily influenced by the film, a testament to the inextricable merging of real events, the distortions of memory, and the mediating power of popular culture.